Monday, October 31, 2011

Hindu slogam

Lord Ganesha
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Vakra Tunda Mahaakaarya
Surya Koti Samaprabha
Nirvignwam Kurumedeva
Sarva Karyeshu Sarvadha
...............................................................
Nandhi
*********

Om Mahaakaalyam Mahaaveeryam
Shiva Vahanam Outatmama
Ganaanamtwa Pratham Vande
Nandishwaram Mahabalam
................................................................
Shiva
*******
Nagendrahaaraaya Trilochanaaya
Bhasmanga Raagaya Maheshwaraaya
Nityaaya Shudwaaya Digambaraaya
Tasmai Nakaaraya Namaha Shivaaya
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Shiva lingam
***************
Om Namaha Shambhavayacha Mayo Bhavayacha
Namaha Shankaraayacha Mayashkaraayacha
Namaha Shivaayacha Shivataraayacha
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Durga
*******
Jayanti Mangalaa Kaali
Bhadrakaali Kapaalinee
Durga Kshamaa Shiva Dhaatri
Swaahaa Swadhaa Namostute
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Vishnu
********
Santaakaaram Bhoojagashayanam
Padmanaabham Sooreshwaram
Vishwadharam Gaganashadrisham
Meghavarnam Shoobhangam
Lakshmi Kaantam Kamala Nayanam
Yogibhirdhyaan Gamyam
Vande Vishnu Bhawabhaya Haranam
Sarvalokaika Naatham
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Krishna
**********
Vasudevam Sutam Devam
Kansa Chanur Mardanam
Devaki Paramaanandam
Krishnam Vande Jagatgurum
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Ram
*****
Ramaaya Raam Bhadraaya
Ram Chandraaya Vedhase
Raghunaathaaya Naathaya
Sitaaya Pataye Namaha
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Hanuman
***********

Manojavam Maaroota Toolya Vegam
Jitendriyam Bhoodhimataam Varishtam
Vaatatmajam Vaanar Yookta Mookhyam
Shri Ram Dootam Sharanam Prapadye
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Santoshi
***********
Yaa Devi Sarvabhutesu
Santoshi Rupena Samsthitaa
Namastasyei Namastasyei
Namastasyei Namo Namaha
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Tulsi tree
***********
Namastulsi Kalyaani
Namo Vishnupriye Shudhe
Namo Mokshaprade Devi
Namaha Sampat Pradaayike
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Easy to learn Japanese

Hiragana

What is Hiragana?

Hiragana is the basic Japanese phonetic alphabet. It represents every sound in the Japanese language. Therefore, you can theoretically write everything in Hiragana. However, because Japanese is written with no spaces, this will create nearly indecipherable text.

Here is a table of Hiragana and similar-sounding English consonant-vowel pronunciations. It is read up to down and right to left, which is how most Japanese books are written. In Japanese, writing the strokes in the correct order and direction is important, especially for Kanji. Because handwritten letters look slightly different from typed letters (just like how 'a' looks totally different when typed) you will want to find a source such as a website or textbook that will show you how to write the characters. I must also stress the importance of correctly learning how to pronounce each sound. Since every word in Japanese is composed of these sounds, learning an incorrect pronunciation for a letter can severely damage the very foundation on which your pronunciation Lies..


n w r y m h n t s k

(n) わ ら や ま は な た さ か あ a
ゐ* り み ひ に ち
(chi) し
(shi) き い i
る ゆ む ふ
(fu) ぬ つ
(tsu) す く う u
ゑ* れ め へ ね て せ け え e

(o) ろ よ も ほ の と そ こ お o
* = no longer used

Hiragana is not too tough to master or teach and as a result, there are a variety of web sites and free programs that are already available on the web. I strongly urge you to go to this web site to hear the pronunciations of each character. The relevant sections are 2.1 to 2.11. I also suggest recording yourself and comparing the sounds to make sure you're getting it right.

When practicing writing Hiragana by hand, the important thing to remember is that the stroke order and direction of the strokes matter. There, I underlined, italicized, bolded, and highlighted it to boot. Trust me, you'll eventually find out why when you read other people's hasty notes that are nothing more than chicken scrawls. The only thing that will help you is that everybody writes in the same order and so the "flow" of the characters is fairly consistent. I strongly recommend that you pay close attention to stroke order from the beginning starting with Hiragana to avoid falling into bad habits. While there are many tools online that aim to help you learn Hiragana, the best way to learn how to write it is the old fashioned way: a piece of paper and pen/pencil. The following are links to pdfs that have a tracing outline and a free-form to practice your Writing..


※ As an aside, an old Japanese poem called 「いろは」 was often used as the base for ordering of the Hiragana alphabet until recent times. The poem contains every single letter of the Hiragana alphabet except for 「ん」 which probably did not exist at the time it was written. You can check out this poem for yourself in this wikipedia article. As the article mentions, this order is still sometimes used in ordering lists so you may want to spend some time checking it out.

Notes
Except for 「し」、「ち」、「つ」、and 「ん」、you can get a sense of how each letter is pronounced by matching the consonant on the top row to the vowel. For example, 「き」 would become / ki / and 「ゆ」 would become / yu / and so on.
Go to this web site to hear the pronunciations of each hiragana character. The relevant sections are from 2.1 to 2.11.
As you can see, not all sounds match the way our consonant system works. As written in the table, 「ち」 is pronounced "chi" and 「つ」 is pronounced "tsu".
The / r / or / l / sound in Japanese is quite different from any sound in English. It involves more of a roll and a clip by hitting the roof of your mouth with your tongue. Pay careful attention to that whole column.
Pay careful attention to the difference between / tsu / and / su /.
The 「ん」 character is a special character because it is rarely used by itself and does not have a vowel sound. It is attached to another character to add a / n / sound. For example, 「かん」 becomes 'kan' instead of 'ka', 「まん」 becomes 'man' instead of 'ma', and so on and so forth.
You must learn the correct stroke order and direction! Use the following pdf practice sheets.

Hiragana tracing practice sheet
Hiragana free-form practice sheet
The Muddied Sounds

Once you memorize all the characters in the Hiragana alphabet you're done learning the alphabet but not all the sounds. There are five more possible consonant sounds that are possible by either affixing two tiny lines similar to a double quotation mark called dakuten (濁点) or a tiny circle called handakuten (半濁点). This essentially creates a "muddy" or less clipped version of the consonant (technically called a voiced consonant or 「濁り」, which literally means to become muddy).

All the possible combinations of muddied consonant sounds are given in the table below.

Muddied Consonant Sounds
p b d z g
ぱ ば だ ざ が a
ぴ び ぢ
(ji) じ
(ji) ぎ i
ぷ ぶ づ
(dzu) ず ぐ u
ぺ べ で ぜ げ e
ぽ ぼ ど ぞ ご o
Notes
Go to this web site again to hear the pronunciations of these new sounds. The relevant parts are at the end of sections 2.2, 2.3, 2.4, and 2.6.
Notice that 「ぢ」 sounds essentially identical to 「じ」 and both are pronounced as / ji /, while 「づ」 is pronounced like / dzu /.
The Small 「や」、「ゆ」、and 「よ」

You can also combine a consonant with a / ya / yu / yo / sound by attaching a small 「や」、「ゆ」、or 「よ」 to the / i / vowel character of each consonant.

All possible small や、ゆ、and よ combinations
ya yu yo
ぴゃ ぴゅ ぴょ p
びゃ びゅ びょ b
じゃ じゅ じょ j
ぎゃ ぎゅ ぎょ g
りゃ りゅ りょ r
みゃ みゅ みょ m
ひゃ ひゅ ひょ h
にゃ にゅ にょ n
ちゃ ちゅ ちょ c
しゃ しゅ しょ s
きゃ きゅ きょ k
Notes
The above table is the same as before. Match the top consonants to the vowel sound on the right. Ex: きゃ = kya.
Go to this web site again to hear the pronunciations of these new sounds. The author has decided to include 「ぢゃ」、「ぢゅ」、and 「ぢょ」 but these combinations are actually never used in favor of 「じゃ」、「じゅ」、and 「じょ」.
Also note that since 「じ」 is pronounced / ji /, all the small 「や」、「ゆ」、「よ」 sounds are also based off of that, namely; / jya / jyu / jyo /.
The same thing also applies to 「ち」 which becomes / cha / chu / cho / and 「し」 which becomes / sha / shu / sho /. (Though arguably, you can still think of it as / sya / syu / syo /.)
The Small 「つ」

A small 「つ」 is inserted between two characters to carry the consonant sound of the second character to the end of the first. For example, if you inserted a small 「つ」 between 「び」 and 「く」 to make 「びっく」, the / k / consonant sound is carried back to the end of the first character to produce "bikku". Similarly, 「はっぱ」 becomes "happa", 「ろっく」 becomes "rokku" and so on and so forth. I have provided my own simple
mp3 file to illustrate the sound difference between 「もと」 and 「もっと」. And in case you're wondering, both are actual words and yes, both mean different things.

Notes
A small 「つ」 is used to carry the consonant sound of the second character to the end of the first. Ex: 「がっき」 = "gakki".
Download this mp3 file to hear the difference between 「もと」 and 「もっと」.
The addition of another consonant almost always creates the characteristic clipping sound. But make sure you're clipping with the right consonant (the consonant of the second character).
The Long Vowel Sound

Whew! You're almost done. In this last portion, we will go over the long vowel sound which is simply extending the duration of a vowel sound. You can extend the vowel sound of a character by adding either 「あ」、「い」、or 「う」 depending on the vowel in accordance to the following chart.

Extending Vowel Sounds
Vowel Sound Extended by
/ a / あ
/ i / e / い
/ u / o / う
For example, if you wanted to create an extended vowel sound from 「か」, you would add 「あ」 to create 「かあ」. Other examples would include: 「き → きい」, 「く → くう」, 「け → けい」, 「こ → こう」, 「さ → さあ」 and so on. The reasoning for this is quite simple. Try saying 「か」 and 「あ」 separately. Then say them in succession as fast as you can. You'll notice that soon enough, it just sounds like you're dragging out the / ka / for a longer duration than just saying / ka / by itself. You can try this exercise with the other vowel sounds if you like. Try to remember that you are, in fact, saying two characters with blurred boundaries. In fact, you may not even have to consciously think about long vowels and simply pronounce the letters together quickly to get the correct sound.

In addition, while the / e / vowel sound followed by 「い」 is usually considered to a long vowel sound, the pronunciation is actually a slurred connection of the / e / and / i / vowel sounds. In other words, it should be pronounced like / ay / (as in "acorn") and not just a long / e /.

It's important to make sure you hold the vowel sound long enough because you can be saying things like "here" (ここ) instead of "High School" (こうこう) or "middle-aged lady" (おばさん) instead of "grandmother" (おばあさん) if you don't stretch it out correctly!

There are rare exceptions where an / e / vowel sound is extended by adding 「え」 or an / o / vowel sound is extended by 「お」. Some examples of this include 「おねえさん」、「おおい」、and 「おおきい」. Pay careful attention to these exceptions but don't worry, there aren't too many of them.

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Incase you dont receive the sms , you can take a printout too..
Link : http://on.fb.me/qKkD3U

Halloween

Halloween (or Hallowe'en), a contraction of All-Hallows-Even ("evening"), is an annual holiday observed on October 31, which commonly includes activities such as trick-or-treating, attending costume parties, carving jack-o'-lanterns, bonfires, apple bobbing, visiting haunted attractions, playing pranks, telling scary stories, and watching horror films.

Historian Nicholas Rogers, exploring the origins of Halloween, notes that while "some folklorists have detected its origins in the Roman feast of Pomona, the goddess of fruits and seeds, or in the festival of the dead called Parentalia, it is more typically linked to the Celtic festival of Samhain (pronounced sow-an or sow-in)", derived from the Old Irish Samuin meaning "summer's end".[1] Samhain was the first and by far the most important of the four quarter days in the medieval Irish calendar[2][3] and, falling on the last day of Autumn, it was a time for stock-taking and preparation for the cold winter months ahead.[1] There was also a sense that this was the time of year when the physical and supernatural worlds were closest and magical things could happen.[2][3] To ward off these spirits, the Irish built huge, symbolically regenerative bonfires and invoked the help of the gods through animal and perhaps even human sacrifice.[1]


Snap-Apple Night (1832) by Daniel Maclise.
Depicts apple bobbing and divination games at a Halloween party in Blarney, Ireland.
Halloween is also thought to have been heavily influenced by the Christian holy days of All Saints' Day (also known as Hallowmas, All Hallows, Hallowtide) and All Souls' Day.[4] Falling on November 1st and 2nd respectively, collectively they were a time for honoring the Saints and praying for the recently departed who had yet to reach heaven. By the end of the 12th century they had become days of holy obligation across Europe and involved such traditions as ringing bells for the souls in purgatory and "souling", the custom of baking bread or soul cakes for "all crysten [christened] souls".[5]

In Britain the rituals of Hallowtide and Halloween came under attack during the Reformation as protestants denounced purgatory as a "popish" doctrine incompatible with the notion of predestination.[4] In addition the increasing popularity of Guy Fawkes Night from 1605 on saw Halloween become eclipsed in Britain with the notable exception of Scotland.[6] Here, and in Ireland, they had been celebrating Samhain and Halloween since the early Middle Ages,[7] and it is believed the Kirk took a more pragmatic approach towards Halloween, viewing it as important to the life cycle and rites of passage of local communities and thus ensuring its survival in the country.[6]

North American almanacs of the late eighteenth and early nineteenth century give no indication that Halloween was recognized as a holiday.[8] The Puritans of New England, for example, maintained strong opposition to the holiday[8] and it was not until the mass Irish and Scottish immigration during the 19th century that the holiday was introduced to the continent in earnest.[8] Initially confined to the immigrant communities during the mid-nineteenth century, it was gradually assimilated into mainstream society and by the first decade of the twentieth century it was being celebrated coast to coast by people of all social, racial and religious backgrounds.[9]

Origin of name

The word Halloween is first attested in the 16th century and represents a Scottish variant of the fuller All-Hallows-Even ("evening"), that is, the night before All Hallows Day.[10] Although the phrase All Hallows is found in Old English (ealra hālgena mæssedæg, mass-day of all saints), All-Hallows-Even is itself not attested until 1556.[10]

Sunday, October 30, 2011

Thursday, October 27, 2011

Ra -one Review

Star cast: Shah Rukh Khan, Kareena Kapoor, Arjun Rampal, master Armaan Varma.

Story plot:

The story, penned by Anubhav Sinha, has been liberally borrowed from several Hollywood films but it has been suitably Indianised. The Indianised screenplay, written by Kanika Dhillon, David Benullo, Mushtaq Shiekh and Anubhav Sinha, is fast-paced for a good part, but the first 20 minutes, and some portions in the second half are a bit boring. Perhaps, the most heart-touching Indian sentiment in the drama is when G.One comes to the rescue of Sonia and Pratik for the first time, appearing like Shekhar. There are other emotional moments like when Sonia takes a promise from G.One that he would save Pratik’s life, come what may, and when G.One and Pratik join forces to try and combat Ra.One in the end. Also, how Pratik is made to realise that ultimately, it is the hero who is good, and it is the villain who is evil and that good is what one should pursue, is subtle yet effective. But the emotions are understated and although they touch the heart-strings, they do not draw tears from the audience’s eyes. Had the sentiments been more pronounced, it would’ve been better as the viewers would be moved to tears.
Verdict: Ra.One has novelty and great visual effects to see it through at the box-office and ensure profits in spite of its very high cost.

- point:
The first 20 minutes and some portions in the second half which are boring; the story, which is about a video game, will not be fully understood by the computer-illiterate older generation.

+ point:
Individual sequences; stars’ performances; excellent visual effects; the superlative action, the ‘Chammak Challo’ song; eye-filling photography; extraordinary background score.

Definitely watch Ra.One for the superlative performances and the grand visual effects and the 3D effects.
Eros International and Red Chillies Entertainment’s Ra.One is the story of Shekhar Subramanium (Shah Rukh Khan), who lives in London and who is so clumsy and uncool that his young, school-going son, Pratik (master Armaan Varma), does not consider him as his hero or idol. In fact, he doesn’t even respect his father like a son should.

Shekhar works in a gaming company and he alongwith his colleagues makes a video game, Ra.One, in which the villain, Ra.One, is almost invincible. He makes the villain so powerful because his son tells him that heroes are boring and villains are cool. As luck would have it, Pratik, who plays games under the name of Lucifer, defeats Ra.One upto a level. Ra.One then loses his head and escapes from the computer in search of Lucifer. Soon, he kills Shekhar when he lies to him that his name is Lucifer. Shekhar takes on the blame in a bid to save his son’s life. But Ra.One, who has now taken the identity of Shekhar’s own colleague Akashi (Tom Wu), does not give up his search for Lucifer alias Pratik.

Meanwhile, Pratik goes to his dad’s office and between Jenny (Shahana Goswami) and Pratik, the two decide that G.One or, in other words, the Good One from the game would have to be released from the game to combat Ra.One.

Pratik and his widowed mother, Sonia (Kareena Kapoor), leave London to return to India and are given a hot chase by Ra.One. After a lot of misses, Ra.One finally confronts the mother-son duo but G.One emerges in the form of Shekhar to save them.

Now, G.One, Sonia and Pratik come to India after G.One has almost eliminated Ra.One. However, Ra.One is re-constructed one day and lands in India. What happens next? Does he find Lucifer? Does G.One protect Sonia and Pratik alias Lucifer? If so, how?

Rating: 3.5/5

Wednesday, October 26, 2011

Velayudham Movie Review

Movie: Velayudham
Starring: Vijay, Genelia D’Souza, Hansika Motwani, Saranya Mohan
Direction: Jayam Raja
Music: Vijay Antony
Producer: Venu Ravichandran


Vijay is a young happy guy who is a milkman in a village who lives with his widowed mother and a lovely beautiful sister played by Saranya Mohan. He is liked by one and all in the village who helps the need. Hansika Motwani appears as a village girl who falls in love with our Illayathalapathy Vijay.

The twist in the story happens when this innocenet happy go lucky guy turns into a vigilante and the savior of the village people from the hands of the evil minds

Genelia D`Souza is a Tv reporter who comes to village to do a coverage of her viewers where she happens to fall in love with Vijay.

Genelia was earlier harrased by the misdeeds of the Villian Abhimanyu Singh who is the most influential and an underworld mafia don. Genelia creates a fictional character called 'Velayutham' who attacks the goons and the villagers accidently happen to assume Vijay as Velayutham.

Vijay initially hesitates to continue this fictional character but it so happens that he continues this character to punil the evil minds and save his villagers.

Our hero Vijay wears themast of Velayutham to stop the corruption in the city and the rest of the film speaks about how Vijay takes over villain and his gang

How does Vijay defeats the evil forces and saves his people is said in a heart gripping action sequences and intelligent climax.

Who wins the heart of Vijay and who forms his best onscreen pair in Velayutham is something to be watched on Big screen?

Performance

Hansika bubblly babe doesnt fail to leave an impact on the audience

Genelia leaves a girl next door image

Santhanam`s comedy is another highlight of the movie

Saranya Mohan as a sister to Vijay has done justice to her character giving a neat performance from her end

Shayali Shinde comes as a Villian

The film also has MS Bhaskar, Sathyan, Illavarasu, Vincent Ashokan and Raaghav playing their roles perfectly ]
The musical tracks 'Chillax and Rathathin Rathame' scored by Vijay Anthony are already topping the musical charats  

VT Vijayan`s editing plays a major part in the film

Priyan`s camera showed different angels on the big screen

Director Jayam Raja who is famous for successful remakes can now go for any number of big remakes wih more Kollywood stars

Saturday, October 22, 2011

MOBILE REVIEWS:




                                                            Micromax Qube X550



A shiny exterior cannot camouflage mediocre interiors for too long

Tough build, decent response for a resistive touch-screen, fair-sized 3.2 inch screen, workable and somewhat decent-looking UI, dual SIM

Poor text input options, stylus dependency in some cases, mediocre multimedia performance, unsatisfactory network reception, no multi-tasking of Java apps


INTRO:

Micromax is one of the few Indian cellphone companies that is making its presence felt very strongly - thanks to the massive advertising campaigns running in the media. They recently also did what inexpensive phone makers are expected to do sooner or later; take the openly available Google Android OS and slap it on one of its models, which gave birth to Andro A60.

But today we're taking a look at one of their non smart touchphone offerings - the Qube X550. It is a decent-looking phone under Rs. 5,000 that may catch the attention of many. Its USP is supposedly the "3D Cube User Interface". Let's see if it is any good beyond its dazzling UI effect. 



User Interface
The Micromax Qube X550 runs a touch-optimized version of a proprietary OS. As we hinted before, the interface is quite "inspired" from the UIs of other smartphones. For example, the "Slide up to unlock" or the big digital clock from the HTC Sense UI, or the call connection menu, which is a complete rip-off of the iPhone - are all inspired. Anyway, the home-screen has many clickable elements and quick access shortcuts to apps and often used settings. Some of them simply represent the menu in different styles. For example, you can view the menu in a Pearl necklace like arrangement, a regular page-by-page one, and the "3D Cube" way. 

The last one can be described as nothing more than a gimmick, as it simply represents all the menu items on the walls of a three-dimensional cube that you spin around; the motion of which isn't very fluid. It served me no real purpose and I would access the menu in the regular way any day. The UI speed is otherwise fairly swift. The menu animations are also fairly attractive. The touch response is also pretty decent for a resistive screen. You can manage most of the interface with your fingers, except for one part explained below where you'll eventually want to pull that stylus out.  
Moving on to the first and the most irritating aspect of the device; the input options. Despite the screen being a little too narrow to fit a full keyboard in portrait mode, the phone makers felt it would be alright to still cram a QWERTY in there somehow. The way they did that was by increasing the number of rows, due to which the layout is now totally messed up with characters to the end of the display flowing on to the next row.

For anybody used to a regular QWERTY keyboard layout (I would assume most of you reading are), this input method becomes very unintuitive and I wasn't able to get used to it despite using the phone for several days. As a saviour, there's an alpha-numeric pad text input mode with T9 support. But it somewhat sucks too as you cannot add new words to the dictionary. To top it all, using the keys with your thumbs (especially if you have fat thumbs like mine) isn't very accurate and it will make you eventually pull out the stylus.

For web browsing, there's Opera Mini pre-installed, which renders full websites pretty well on a low-power device like this. But since this is the same Java version that runs on even non-touchscreen phones, the menu layout isn't optimized to be used with the fingers; you'll be compelled to pull out the stylus for this one as well. The Java text input issue, where it opens another window to type into a text-box and requires three clicks before you can actually place those words there, still exists.

While it is acceptable in apps like Opera mini, where you don't have to enter text very often, chat clients like Nimbuzz will suffer this plague badly. For other internet-related applications like Twitter, Facebook etc., there's an integrated app called Snaptu. You can minimize apps, which is a good thing and something that cheaper Nokia's cannot do, but there's not enough CPU power and/or RAM to run two Java apps at a time.

Appearance wise, the Micromax Qube X550's UI isn't a charmer, it still needs polishing, especially the type of fonts used. 





Product Specifications

GPSNo
Additional featuresNimbuzz, Facebook app / MP3/AAC+ player / TV-out
Infrared PortNo
USBYes, v2.0
Card slotmicroSD, up to 16GB
3GNo
2G NetworkGSM 900 / 1800
Phone TypeDualband GSM
NetworksGSM 900, 1800
GPRSYes
EDGENo
WLANNo
Wireless Internet TechnologyGPRS
Height (mm)112.5
Width (mm)55.9
Depth (mm)14.1
Weight (g)85 g
BatteryStandard battery, Li-Ion 1200 mAh
Standbytime (h)Up to 144 h
Talktime (m)Up to 8 h
IrDANo
SMSYes
EmailYes
MMSYes
BluetoothYes
JavaYes
RadioYes
CameraYes
Camera resolution2 MP, 1600x1200 pixels
Colour displayYes
Number of colours256000
Video recordingYes
MemorymicroSD, up to 16GB
RingtonesVibration, Polyphonic
MP3Yes
GamesYes
Predictive textT9
WAP versionWAP 2.0/xHTML (Opera Mini)
WAPYes
Display width (pixel)240
Display height (pixel)400
LCD Size (pixel)240 x 400 pixels, 3.2 inches
TouchscreenYes
VibrateYes
Phonebook Capacity1000 entries, Photocall



Performance 
Like all Micromax phones, the Qube X550 also follows the tradition of having two SIM card slots. As a phone, the X550 is a little unsatisfactory, as the network reception wasn't as good as it generally is on most other phones. There were noticeable call-drops, especially if you cup the phone entirely with your hand. The sound from the earpiece also wasn't as clear as we'd like. The loudspeaker is fairly loud though.

There isn't much to talk about the Multimedia of the phone. The 2 megapixel camera, in sufficient lighting takes bearable images; the quality of which deteriorates further once the light levels fall. The audio quality delivered when you connect a decent pair of ear-phones is just about bearable.

Battery life is pretty good; the phone lasted me for two days with moderate phone-call usage.

Price and Verdict 

The Micromax Qube X550 sells for Rs. 4,500, which is not too much to ask for. But in the same range, you have a few models like the Samsung Champ. Comparing the two, the Champ's got a smaller, lower resolution screen, but it beats the X550 in UI and ease of use. The Micromax Qube X550 has got decent looks and the UI isn't entirely horrible to use. But the issues that we pointed before stop us from recommending this phone. 

Register and be the first one to try Olay’s New anti Ageing Cream- Olay Regenerist



Just few days back Olay has launched the giveaway of its "All in one fairness cream" and just within a month , P&G has started another giveaway of its new product for Indians called Olay Regenerist. This new anti-ageing cream gives you dramatically younger looking skin without the pain of injections, laser or peeling. It is already one of the most popular anti-ageing cream in United states and now "Beauty Without Pain’ will be possible for Indian women too.

As of now this cream is not lauched but Olay is running one promotion where they are asking users to come and join waiting list of Regenerist. It is not yet clear whether they will give free sample of this cream to everyone on the waiting list or to just few people but if you are really want to try this new product then go ahead and register yourself.
[Facebook Link] Click here to Register & Join the waiting list for New Olay Regenerist 
[Direct Link] Click here to join waiting list without using Facebook

Wednesday, October 19, 2011

RASCALS (HINDI MOVIE) REVIEW




Rascals is an Bollywood action comedy film, directed by David Dhawan and produced by Sanjay Dutt, Sanjay Ahluwalia and Vinay Choksey. The film stars Sanjay Dutt, Ajay Devgn, Kangana Ranaut and Arjun Rampal in lead roles, and is distributed under the Sanjay Dutt Productions Pvt. Ltd. and M/s Rupali Aum Entertainment Pvt. Ltd. banners. It was presented by Bharat Shah. The film released on 6 October, 2011 to mostly mixed reviews. 
‘Rascals’ is a comedy about the joys of conning where Sanjay Dutt and Ajay Devgn play two cool competing conmen trying to out-scheme each other in consistently amusing and surprising setups. 
But when both fall for the same girl (Kangna), the competition reaches an all new level as both men constantly attempt to outwit each other to win over the surprisingly elusive Kangna! 
Since much of the comedy involves people taking advantage of one another, having everything put forward in such a gossamer manner that ‘Rascals’ becomes an enjoyable journey throughout with an interesting twist at the end!

Banner
Sanjay Dutt Productions Pvt. Ltd
M/s Rupali Aum Entertainment Pvt.Ltd

Shooting Studios
Mehboob Studio

Producer
Sanjay Dutt
Sanjay Ahluwalia
Vinay Choksey

Executive Producer / Co-Producer
Dharam Uberoi
Sanjiv Ahluwalia

Director
David Dhawan

Star Cast
Sanjay Dutt...... Chetan
Ajay Devgn...... Bhagat
Arjun Rampal
Kangna Ranaut
Chunky Pandey
Satish Kaushik
Lisa Haydon
Hiten Paintal
Mushtaq Khan

Cassettes and CD's on
Venus Records & Tapes

Singers
Daler Mehndi
Neeraj Pathak
Vishal Dadlani
Sunidhi Chauhan

Music Director
Vishal Dadlani
Shekhar Ravjiani

Background Music
Atul Raninga
Sanjay Wandrekar

Cinematography
Vikas Sivaraman

Choreography
Bosco Martis
Caesar Gonsalves

Action
Mahendra Varma

Art
Shailesh Mahadik

Editor
Nitin Rokade

Screenplay
Yunus Sajawal

Sound
Kunal Mehta
Parikshit Lalwani

Dialogue
Sanjay Chhel

Costume
Navin Shetty
Anna Singh
Aki Narula

Media Relations
Parag Desai
Universal Communications

Promos
Binni Padda
Ravi Padda

Publicity Designs
Rahul Nanda


REVIEW:

At some point in this pointless parody of all of David Dhawan's Tom and Jerry comedies from the past, Devgn and Dutt, playing a pair of warring, snaping, snarling, sneering con-persons, call for each other. 'Chetan? Bhagat? Chetan? Bhagat? …."

In that pause between the last blast and the next you know the script writer (Yunuz Sajawal) is thinking of how to carry the plot to the next gag.

Wish they had actually roped in author Chetan Bhagat to write some of the episodes. We would at least be looking at more than just an endless raunchy wordy ramble into the realm of toned bikini bodies. And these include the two leading ladies Kangna Ranaut and the striking Lisa Haydon.

In fact the film looks like one long excuse to let the camera ogle at semi-nude female figures in Thailand and Bangkok. The laughter, if it was ever intended, is strictly incidental.

The gags in "Rascals" are so stale and tasteless and the situational comedy so devoid of any kind of originality or freshness, you wonder if David Dhawan just made this unfunny comedy to please his friends who play the major roles in the film.

As Chetan and Bhagat, Sanjay Dutt and Ajay Devgn get to ham to their hearts' content. Not their fault. It's the need of the hour. Make that two hours. Two long painful hours of mirthless gags and skits adding up to no sense of hilarity.

Kangna Ranaut is the funniest thing in the film. And not in any intended way. 

But nothing matches up to the brazen insulting nature of the dialogues. At one point Chetan or Bhagat (hard to say which one speaks, as they're constantly interrupting and shouting down one another) look at a dark-skinned man and comment: "How did this black gulab jamun get a white rashogolla for a daughter?"

Go get a laugh, Mr. Dhawan. The prolific and trendsetting director has clearly run out of tricks to make the Tom and Jerry act any further. And really, Anil Kapoor-Govinda in "Deewana Mastana", Salman-Govinda in "Partner" did the sniping and snarling, so much better.

The film is carpeted with dreadfully unfunny jokes that insult every community including, of course, the movie-going community which is expected to laugh at a scene where Sanjay Dutt puts on an unconscious woman's underwear on and wonders: "Why is it so much easier to take off a woman's clothes than put it on?"

Really, Mr. Sanjay Chhel, what were you thinking when you wrote such embarrassing lines taken straight from the wall of a private toilet?

Any silver linings? Yes, Arjun Rampal. He's so cool and in control, you wonder what he is doing in such an uncool rudderless comedy. And poor Hiten Paintal. An actor with considerable comic timing, is stuck among actors who seem to be totally out of rhythm. Hiten is reduced to being Sanjay Dutt's sidekick.

Wanted urgently: A makeover for David Dhawan's brand of comedy. Seriously, this comedy is not funny.